Finalmente tivemos uma noite divertida e com boa música! Bem que estávamos a precisar.Yeaaaaaaaaaaaaaaahhhhhhhhhhhhhh :))))
Finally we had a funny night with good music! We needed it so much.
Yeaaaaaaaaaaaaaaahhhhhhhhhhhhhh :))))
Finalmente tivemos uma noite divertida e com boa música! Bem que estávamos a precisar.Yeaaaaaaaaaaaaaaahhhhhhhhhhhhhh :))))
Finally we had a funny night with good music! We needed it so much.
Yeaaaaaaaaaaaaaaahhhhhhhhhhhhhh :))))
source: the ones 2 watAqui têm um editorial com a modelo Irina Lazareanu. Esta modelo sempre me pareceu ter uma imagem e estilo bem diferente e indie. Espero que gostem.
Here you have an editorial with model Irina Lazareanu. This model always seemed to me as having a quite diferent and indie style. Hope you like it.
Here you have an editorial with model Irina Lazareanu. This model always seemed to me as having a quite diferent and indie style. Hope you like it.
In batman cegueira ciúmes gata bea dona da gata novela robin homosexual gay
EPISÓDIO 13_ A descoberta da Dona da Gata Bea
Posted on 08 maio, 2010
A Dona da Gata Bea andava a fazer limpezas.
Entre muitas outras coisas para limpar, lembrou-se de limpar também os livros e enciclopédias que tem na sua estante. E reparou num estranho pormenor. Um livro que ela não andava a ler estava saído, na prateleira, destacando-se dos outros. Como ela não andava a ler aquele livro, ficou curiosa. Quem andaria a mexer nos livros? Seria o Teddy, já que anda numa de ler e ler...
A Dona da Gata Bea pegou no livro, quando reparou numa fotografia que saía por entre as páginas. E para seu grande espanto, a fotografia que encontrou, foi esta que vêem aqui.
In Trentemoller music album produtor musica indie electronica
For those who don't know...Trentemoller is...
Posted on 07 maio, 2010
"Anders Trentemøller é um músico dinamarquês. Iniciou sua carreira em 1997 junto com o DJ T.O.M., quando juntos fizeram o primeiro projeto de live-house act na Dinamarca, o Trigbag, e começaram a tocar em festivais de todo o planeta. O single “Showtime” do Trigbag foi tocado por DJs internacionais como Alex Gopher, Laurent Garnier e Etienne de Crécy. O Trigbag acabou no ano 2000.
Trentemøller voltou ao Naked Music em 2003 com seu The Trentemøller EP, incluindo as músicas “Le Champagne” e “Work in Progress”. Ele recebeu o prêmio “Up Front Release of the Year” no Danish DJ Awards em fevereiro de 2004 pela música “Le Champagne”.
No final de 2004 ele lançou um remix de "Windowlicker", de Aphex Twin, com o pseudônimo de "Run Jeremy".
Em Fevereiro de 2005, Steve Bug lançou o EP "Physical Fraction" de Anders pelo seu selo Audiomatique. Este lançamento colocou Anders definitivamente no mapa dos produtores internacionalmente conhecidos, e foi seguido de outros três lançamentos pelo selo principal de Steve Bug, o Poker Flat: Polar Shift, Sunstroke e o EP Nam Nam. Muitos prêmios que tinham a audiência como julgador concederam a Anders o título de melhor lançamento do ano de 2005.
Anders Trentemøller é, além disto tudo, um remixador muito requisitado. Seus remixes mais conhecidos são dos artistas Martinez ("Shadowboxing"), Sharon Philips ("Want 2 Need 2"), Röyksopp ("What Else Is There?"), The Knife ("We Share Our Mother’s Health"), "Sodom" para os Pet Shop Boys, e o sucesso "Go", de Moby. O remix de Anders para "Go" alcançou o #38 na Australian ARIA Club chart em Outubro de 2006.
O álbum de estréia de Anders, denominado The Last Resort foi lançado pela Poker Flat em Outubro de 2006. A revista alemã Groove Mag e a revista francesa Trax elegeram este álbum como o "Álbum do Ano" em Novembro de 2006
O Essencial Mix de Anders para a Radio BBC foi eleito como o melhor do ano pelos ouvintes em 2006."
in Wikipedia
Podem visitar o myspace de Trentemoller aqui.
In pato de borracha patinha bubbles espuma água nadar
EPISÓDIO 12_A Patinha Não sabe Nadar Yo
Posted on 06 maio, 2010
Esta semana a Gata Bea tem andado num frenesim. Ora tenta entrar na casa-de-banho, ora arranha a porta do quarto onde está o Teddy.
No quarto, o Teddy continua nas suas leituras intelectualóides e a dar voltas aos neurónios na tentativa de perceber as palavras qua e Bidente lhe disse.
Na casa-de-banho está o Batman, ainda com os olhos vendados e há tanto tempo sem ver quem para ali vai, despido ou vestido. Agora só pode ouvir os ruídos e conversas que ali acontecem.
Mas, apesar do que todos possam pensar, ele não está sozinho. Naquela casa-de-banho está mais uma personagem: a Patinha Não Sabe Nadar Yo.
A Patinha Não Sabe Nadar Yo é a mais recente habitante daquela casa. Está quase sempre na casa-de-banho, virada para a banheira. Ela sim, vê as pessoas nuas que ali tomam banho e está sempre a ver aquela água na banheira e a sonhar em nadar nela. Mas infelizmente, e para grande pena dela, NÃO SABE NADAR YO.
Como podem ver na foto, na água, ela não tem equilíbrio e cai. Uma verdadeira tragédia para uma patinha de borracha. Daí a sua enorme tristeza e desespero. Um verdadeiro problema que se está a tornar num grande trauma para a Patinha Não Sabe Nadar Yo.
In Trentemoller music album interview entrevista produtor musica indie electronica
Trentemoller is back!!
Posted on
Trentemoller está de volta com um novo álbum: "Into The Great Wide Yonder". Aqui têm uma entrevista ao produtor, para a revista Dazed & Confused.
"One of the most respected producers of today, Trentemøller returns with his new album, ‘Into The Great Wide Yonder', the first full length since his 'The Last Resort' full length. Not only does his new album explore his usual moody and atmospheric soundscapes, showcasing his sense for epic melodies and subtle tones, but also it plays with warmer sounds and more organic elements, embarking on collaborations with Fyfe Dangerfield from Guillemots and Danish singers from Darkness Falls.
Dazed Digital: What's changed in your music since 'The Last Resort'? What's been happening?Anders Trentemøller: I played a world tour with material from 'The Last Resort' with my band, 76 concerts in one year and after that I did a mix CD called Harbour Boat Trips and soundtracks for a Danish feature film and a documentary. I have developed my music of course since it's three years since it came out and this new album ended up being more organic and warmer in sound. I did not want it to sound as electronic as my debut album, so I played a lot of the instruments on the album myself and experimented with vintage gear to get the sound that I was looking for.
All the tracks were put straight to analog tape through some tube amps and that itself gave it a more warm and saturated sound. I also recorded some synths and a Mellotron onto a crappy cheap cassette player and did several mixdowns to get this gritty, dusty 'wow- and- flutter' effect.
DD: Your track 'Sycamore Feeling' was particularly eerie, almost David Lynch-ian, what was it inspired by?
Anders Trentemøller: I am a very big fan of David lynch. The way he works with many subconscious layers in his films. I try to put layers and small details in my music too, and for this track I thought it could be great to have a vocal that could melt lt it all together in a whispering, hypnotic way. So I talked to Marie Fisker, a very talented danish singer and asked her if she would do a collabration with me. And she was very much into the instrument version of the track I already had, so she wrote a beautiful ghostly song on top of the track and that was how 'Sycamore Feeling' came up.
DD: Your music is always quite epic, do you see yourself going into film scores or visuals?
Anders Trentemøller: Yeah, I have already done some music for films here in Denmark but would love to do even more. It's a big challenge. Music is so powerful, and it's all about not overdoing it when you write for movies I think. And the contrast from working all alone, as I did with my two albums, is quite big, as you have to work with the director and editor and you are suddenly a part of a whole team. It means you also has to 'kill your darlings' and thats actually good sometimes. To be forced to do that. You have to loose a bit of the control you normally have over the music and that inspires me.
DD: I recently went out to research the Danish music scene with Kasper Bjorke etc, do you feel you are a part of any particular scene there or do you see yourself as an international artist now?
Anders Trentemøller: No, not really. I have always had a leg in both the indie scene and the electronic. But for me it's not that important to be a part of any scene/style. I actually love being somewhere in the middle and have the freedom to do just the music I feel for, rather than thinking in small boxes. "
in Dazed Digital
"One of the most respected producers of today, Trentemøller returns with his new album, ‘Into The Great Wide Yonder', the first full length since his 'The Last Resort' full length. Not only does his new album explore his usual moody and atmospheric soundscapes, showcasing his sense for epic melodies and subtle tones, but also it plays with warmer sounds and more organic elements, embarking on collaborations with Fyfe Dangerfield from Guillemots and Danish singers from Darkness Falls.
Dazed Digital: What's changed in your music since 'The Last Resort'? What's been happening?Anders Trentemøller: I played a world tour with material from 'The Last Resort' with my band, 76 concerts in one year and after that I did a mix CD called Harbour Boat Trips and soundtracks for a Danish feature film and a documentary. I have developed my music of course since it's three years since it came out and this new album ended up being more organic and warmer in sound. I did not want it to sound as electronic as my debut album, so I played a lot of the instruments on the album myself and experimented with vintage gear to get the sound that I was looking for.
All the tracks were put straight to analog tape through some tube amps and that itself gave it a more warm and saturated sound. I also recorded some synths and a Mellotron onto a crappy cheap cassette player and did several mixdowns to get this gritty, dusty 'wow- and- flutter' effect.
DD: Your track 'Sycamore Feeling' was particularly eerie, almost David Lynch-ian, what was it inspired by?
Anders Trentemøller: I am a very big fan of David lynch. The way he works with many subconscious layers in his films. I try to put layers and small details in my music too, and for this track I thought it could be great to have a vocal that could melt lt it all together in a whispering, hypnotic way. So I talked to Marie Fisker, a very talented danish singer and asked her if she would do a collabration with me. And she was very much into the instrument version of the track I already had, so she wrote a beautiful ghostly song on top of the track and that was how 'Sycamore Feeling' came up.
DD: Your music is always quite epic, do you see yourself going into film scores or visuals?
Anders Trentemøller: Yeah, I have already done some music for films here in Denmark but would love to do even more. It's a big challenge. Music is so powerful, and it's all about not overdoing it when you write for movies I think. And the contrast from working all alone, as I did with my two albums, is quite big, as you have to work with the director and editor and you are suddenly a part of a whole team. It means you also has to 'kill your darlings' and thats actually good sometimes. To be forced to do that. You have to loose a bit of the control you normally have over the music and that inspires me.
DD: I recently went out to research the Danish music scene with Kasper Bjorke etc, do you feel you are a part of any particular scene there or do you see yourself as an international artist now?
Anders Trentemøller: No, not really. I have always had a leg in both the indie scene and the electronic. But for me it's not that important to be a part of any scene/style. I actually love being somewhere in the middle and have the freedom to do just the music I feel for, rather than thinking in small boxes. "
in Dazed Digital
In good music boa música esperar desesperar desistir despair wait
Sometimes...
Posted on 02 maio, 2010
We just wait and wait for the good music to come. And we despair, and then we give up and go home. :s
Nós esperamos e esperamos que chegue a boa música. E desesperamos, e desistimos e vamos para casa. :s
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